Trans Photographer Recasts 'The Last Supper' with Queer Models

In 2024, Los Angeles-based trans photographer and musician Smiles Meyer recreated Leonardo da Vinci's 'The Last Supper' (1495-98) using trans models. The series, titled 'The First Gathering,' is part of a broader tradition of queer and trans artists reimagining religious imagery. Meyer's work builds on previous projects, including a cover shoot for performance artist Maris, and explores themes of religious trauma and gender identity.

Meyer, who grew up in San Diego, California, initially aspired to be a poet but experienced creative blocks after coming out as queer at 18 and starting medication for depression. They turned to photography in 2018, initially creating collages from printed photos before transitioning to a full-time photography career. Meyer's interest in deconstructing cisgender divinity is influenced by the writings of Judith Butler, who inspired them to consider how trans people can appropriate the power of creation.

Meyer's work is part of a growing movement of queer and trans artists who use religious imagery to visualize queer identities. This trend includes artists like Elizabeth Ohlson Wallin, who has also recreated scenes from 'The Last Supper.' Meyer's series allows them to unpack religious trauma through art that celebrates their gender identity.

Context/Background: Meyer's recreation of 'The Last Supper' is significant as it contributes to the ongoing dialogue about representation and identity in art. By using trans models and reimagining a iconic religious scene, Meyer challenges traditional narratives and offers a new perspective on divinity and creation. This matters because it highlights the importance of diverse representation in art and the power of art to challenge and transform societal norms.